Wednesday, February 18, 2015
The movie is about a twentyish woman who works as a welder by day and an exotic dancer by night in a seedy club that is one-half step above a strip club. Her dream is to join the ballet. The only thing holding her back is lack of opportunity and money...plus the lifetime of ballet lessons and hard work she skipped.
Flashdancing is when a woman uses a man's power and influence to achieve something she could never achieve independently. Farrell notices that this is a recurring fantasy for women. Akin to the Cinderella story (where a lowly girl instantly becomes a princess due to associating with a man), the flashdance version has one more component: the woman is given credit for having achieved something on her own merits—even though she hasn't.
Farrell uses an example from the old TV show Dynasty. Krystal, a secretary, marries the owner of an oil company. Does she remain a secretary? No, she becomes the head of public relations for her husband's multimillion dollar company. What qualifies her for this position? She married the owner of the company. Yet in the show she is portrayed as a woman of skill and accomplishment. Were did she gain this skill and accomplishment? Via her marriage to her husband. His skill and accomplishment has somehow been magically transferred to his bride.
For a real life example, consider Georgia Frontiere who is considered to be one of the most important female owners in NFL history. How did a former secretary and two-bit entertainer achieve so much? She married Carroll Rosenbloom, the then LA Rams owner, who died in 1979 leaving Frontiere a 70% interest in the team. Simply “being there” was enough to have endowed Frontiere with the skills and attributes of her late husband.
This is the flashdance phenomenon. It could also be termed women's flashdance fantasy. Women have long believed that marriage was a legitimate path to success. Amul Alamuddin was flashdanced from obscurity to Barbara Walter's “most fascinating person of the year.” Walters said Amul Alamuddin landing George Clooney as a husband was “a great achievement.”
Yes, women do consider being flashdanced by a man to be an achievement—her achievement, not his. This is also part of the flashdance fantasy, that the rags-to-riches woman has “earned” the fame, wealth, and power she acquired via marriage.
Mary Bono assumed her husband Sony Bono's congressional seat after his accidental death. What qualifications did she have? She was Sony Bono's wife. What qualified Muriel Humphrey to assume her husband's (Hubert Humphrey) senate seat when he died? She was his wife. Both were flashdanced into elective office.
None of this is news to red-pill men, but there's not a good bit of red-pill jargon to describe it. “Marrying up” doesn't really get it, because there's more to the flashdance phenomenon than just marrying a rich man. There's the idea that the marriage endows the wife with all of the attributes of the husband, be it wisdom, skill, or even education.